{"id":3226,"date":"2016-05-05T11:24:46","date_gmt":"2016-05-05T10:24:46","guid":{"rendered":"http:\/\/artsetculture.fr\/?p=3226"},"modified":"2019-05-11T15:15:20","modified_gmt":"2019-05-11T14:15:20","slug":"la-peinture-hollandaise","status":"publish","type":"post","link":"https:\/\/artsetculture.fr\/index.php\/2016\/05\/05\/la-peinture-hollandaise\/","title":{"rendered":"Les \u00ab\u00a0Primitifs\u00a0\u00bb flamands"},"content":{"rendered":"

Conf\u00e9rences 2016 – 2017 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>Mme Claire Gr\u00e9bille<\/em><\/strong><\/span><\/h4>\n
5 janvier 2017<\/strong><\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Les Etats de Bourgogne<\/strong> <\/em><\/h6>\n

\"LesEn quatre g\u00e9n\u00e9rations, de Philippe le Hardi \u00e0 Charles le T\u00e9m\u00e9raire, le duch\u00e9 de Bourgogne s\u2019\u00e9tend par h\u00e9ritage ou conqu\u00eate de Dijon \u00e0 la Z\u00e9lande pour devenir une des premi\u00e8res puissances d\u2019Europe. Gr\u00e2ce \u00e0 l\u2019h\u00e9ritage bourguignon , Les Habsbourg confortent une grande partie de leur puissance en utilisant la richesse des cit\u00e9s flamandes et hollandaises.<\/p>\n

\u00a012 janvier 2017<\/a> \u00a0 \u00a0 \u00a0 \u00a0 Van Eyck et les primitifs flamands, \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 une r\u00e9volution du regard<\/strong><\/em><\/h6>\n

\"VanAm\u00e9lior\u00e9e\u00a0dans l\u2019entourage des Van Dyck, la technique de la peinture \u00e0 l\u2019huile accompagna un bouleversement complet de la repr\u00e9sentation du monde, par la pr\u00e9cision optique du rendu des mati\u00e8res . Petrus Christus, Roger Van Der Weyden et Hans Memling, magnifi\u00e8rent, chacun \u00e0 leur mani\u00e8re l\u2019h\u00e9ritage du grand ma\u00eetre, se d\u00e9lectant dans la subtilit\u00e9 des jeux de lumi\u00e8re et de textures, tirant le maximum d\u2019effet de la modulation des glacis, rendue possible par l\u2019usage de cette technique r\u00e9volutionnaire.<\/p>\n

19 janvier 2017<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ars Nova et Devotio Moderna<\/em><\/strong><\/h6>\n

\"HansSurnomm\u00e9e Ars Nova en raison de sa capacit\u00e9 \u00e0 rendre l\u2019illusionnisme, la peinture flamande traduit une nouvelle forme de pi\u00e9t\u00e9, la Devotio Moderna, n\u00e9e en Rh\u00e9nanie, \u00e0 la fin du XIv\u00e8 si\u00e8cle. Pi\u00e9t\u00e9 individuelle, fond\u00e9e sur l\u2019oraison priv\u00e9e et la visualisation des sc\u00e8nes de la passion, la Devotio Moderna diversifie consid\u00e9rablement une imagerie religieuse plus \u00e9motionnelle, intime ou th\u00e9\u00e2trale.<\/p>\n

26 janvier 2017<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Le peintre et le commanditaire, \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0l\u2019affirmation de l\u2019individu<\/em><\/strong><\/h6>\n

\"VanComme en Italie, \u00e0 la m\u00eame p\u00e9riode, la personnalit\u00e9 du peintre s\u2019affirme de mani\u00e8re forte avec et face \u00e0 son commanditaire. \u00c9glise, Prince, villes, guildes et marchands jouent un r\u00f4le d\u00e9terminant dans la promotion de l\u2019artiste, le prestige du peintre, rejaillissant sur son client. Affirmation du nom de l\u2019artiste multiplication des portraits t\u00e9moignent de cette promotion de l\u2019individu, aux \u00e9chelons les plus \u00e9lev\u00e9s de la soci\u00e9t\u00e9 bourguignonne.<\/p>\n

2 f\u00e9vrier 2017<\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Bosch et Bruegel<\/em><\/strong><\/h6>\n

H\u00e9ritiers de la peinture narrative de leurs pr\u00e9d\u00e9cesseurs, Bosch et \"PieterBruegel illustrent le quotidien de leurs compatriotes mais glissent vers le surnaturel et la fable. Si l\u2019imagination visionnaire du premier, peupl\u00e9e de symboles et de monstres, influence les d\u00e9buts de Bruegel, tr\u00e8s vite celui-ci traduira les angoisses m\u00e9taphysiques de ses contemporains dans un monde d\u00e9stabilis\u00e9 par la R\u00e9forme et les grandes d\u00e9couvertes.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Accueil <\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Programme 2016-2017<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Agenda<\/a>\u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Informations pratiques<\/a><\/strong><\/em><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u21d1<\/strong><\/a><\/h1>\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rences 2016 – 2017 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Mme Claire Gr\u00e9bille 5 janvier 2017\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Les Etats de Bourgogne En quatre g\u00e9n\u00e9rations, de Philippe le Hardi \u00e0 Charles le T\u00e9m\u00e9raire, le duch\u00e9 de Bourgogne s\u2019\u00e9tend par h\u00e9ritage ou conqu\u00eate de Dijon \u00e0 la Z\u00e9lande pour devenir une des premi\u00e8res puissances … Continuer la lecture de Les \u00ab\u00a0Primitifs\u00a0\u00bb flamands<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-3226","post","type-post","status-publish","format-standard","hentry","category-conferences"],"_links":{"self":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/3226","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=3226"}],"version-history":[{"count":61,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/3226\/revisions"}],"predecessor-version":[{"id":5637,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/3226\/revisions\/5637"}],"wp:attachment":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=3226"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/categories?post=3226"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/tags?post=3226"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}