{"id":9291,"date":"2019-05-22T08:46:03","date_gmt":"2019-05-22T07:46:03","guid":{"rendered":"http:\/\/artsetculture.fr\/?page_id=9291"},"modified":"2020-08-25T12:35:10","modified_gmt":"2020-08-25T11:35:10","slug":"conferences-2018-2019","status":"publish","type":"page","link":"https:\/\/artsetculture.fr\/index.php\/historique\/programme-de-la-saison\/conferences-2018-2019\/","title":{"rendered":"Conf\u00e9rences 2018-2019"},"content":{"rendered":"

septembre 2018<\/h2>
13<\/span>Sep<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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Architectes japonais en France -1<\/a><\/h2>

Tadao Ando et Toyo Ito<\/p>

Catherine Coudert<\/p>

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20<\/span>Sep<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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Architectes japonais en France -2<\/a><\/h2>

Agence Sanaa - Shiguru Ban - Sou Fujimoto<\/p>

Catherine Coudert<\/p>

<\/div><\/div><\/div>\r\n
27<\/span>Sep<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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L'Irlande \u00e0 la crois\u00e9e des chemins -1<\/a><\/h2>

Des United Irishmen \u00e0 l'insurrection de P\u00e2ques 1916<\/p>

V\u00e9ronique Cromb\u00e9<\/p>

<\/div><\/div><\/div>\r\n\n

octobre 2018<\/h2>
04<\/span>Oct<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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L'Irlande \u00e0 la crois\u00e9e des chemins -2<\/a><\/h2>

De la guerre d'ind\u00e9pendance \u00e0 la guerre civile<\/p>

V\u00e9ronique Cromb\u00e9<\/p>

<\/div><\/div><\/div>\r\n
18<\/span>Oct<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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Histoire de l'empire ottoman-1<\/a><\/h2>

La fondation de l'empire ottoman<\/p>

Pierre-Alain Mallet<\/p>

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novembre 2018<\/h2>
08<\/span>Nov<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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Histoire de l'empire ottoman-2<\/a><\/h2>

Soliman le magnifique et l'apog\u00e9e de l'empire ottoman<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n
15<\/span>Nov<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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Histoire de l'empire ottoman-3<\/a><\/h2>

L'art ottoman<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n
22<\/span>Nov<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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Histoire de l'empire ottoman-4<\/a><\/h2>

Un lent d\u00e9clin<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n
29<\/span>Nov<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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Histoire de l'empire ottoman-5<\/a><\/h2>

De l'empire ottoman \u00e0 la Turquie<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n\n

d\u00e9cembre 2018<\/h2>
06<\/span>D\u00e9c<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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L'ic\u00f4ne russe-1 Son h\u00e9ritage byzantin<\/a><\/h2>

Th\u00e9ologie et r\u00e8gles de composition<\/p>

Thierry Soulard<\/p>

<\/div><\/div><\/div>\r\n
13<\/span>D\u00e9c<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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L'ic\u00f4ne russe-2<\/a><\/h2>

De l'ic\u00f4ne byzantine \u00e0 l'ic\u00f4ne russe<\/p>

Thierry Soulard<\/p>

<\/div><\/div><\/div>\r\n
20<\/span>D\u00e9c<\/em><\/b><\/span>2018<\/span><\/span><\/div><\/div>
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L'ic\u00f4ne russe-3<\/a><\/h2>

La floraison de l'ic\u00f4ne russe<\/p>

Thierry Soulard<\/p>

<\/div><\/div><\/div>\r\n\n

janvier 2019<\/h2>
10<\/span>Jan<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Le Baroque - Faste et illusions-1<\/a><\/h2>

Civilisation de l'Europe baroque<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
17<\/span>Jan<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Le Baroque - Faste et illusions-2<\/a><\/h2>

Rome - Architecture et urbanisme<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
24<\/span>Jan<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Le Baroque - Faste et illusions-3<\/a><\/h2>

Rome - Peinture et sculpture<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
31<\/span>Jan<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Le Baroque - Faste et illusions-4<\/a><\/h2>

Le Baroque dans le reste de l'Italie<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n\n

f\u00e9vrier 2019<\/h2>
07<\/span>F\u00e9v<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Le Baroque - Faste et illusions-5<\/a><\/h2>

Expansion et r\u00e9sistance<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
14<\/span>F\u00e9v<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Civilisations de la p\u00e9ninsule arabique-1<\/a><\/h2>

La civilisation de Dilmoun<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n
21<\/span>F\u00e9v<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Civilisations de la p\u00e9ninsule arabique-2<\/a><\/h2>

Royaumes caravaniers et route de l'encens<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n\n

mars 2019<\/h2>
14<\/span>Mar<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Civilisations de la p\u00e9ninsule arabique-3<\/a><\/h2>

Le sultanat d'Oman<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n
21<\/span>Mar<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
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Civilisations de la p\u00e9ninsule arabique-4<\/a><\/h2>

L'Arabie saoudite<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n
28<\/span>Mar<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
\r\n<\/a>
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Civilisations de la p\u00e9ninsule arabique-5<\/a><\/h2>

Civilisation nabat\u00e9enne, Petra<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n\n

avril 2019<\/h2>
11<\/span>Avr<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire du ballet 1<\/a><\/h2>

Marius Petipa, Tsar du Ballet acad\u00e9mique<\/p>

Martine Anstett<\/p>

<\/div><\/div><\/div>\r\n
18<\/span>Avr<\/em><\/b><\/span>2019<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire du ballet 2<\/a><\/h2>

Les ballets russes de Diaghilev<\/p>

Martine Anstett<\/p>

<\/div><\/div><\/div>\r\n\n

<\/h2>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Visites 2018-2019\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Conf\u00e9rences ann\u00e9e en cours<\/a>\u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Infos pratiques<\/a>\u00a0<\/em><\/strong><\/p>\n

_______<\/span>___________________________________________\u21d1<\/a><\/strong><\/h4>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Visites 2018-2019\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Conf\u00e9rences ann\u00e9e en cours\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Infos pratiques\u00a0 __________________________________________________\u21d1  <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":9288,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9291","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/9291","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=9291"}],"version-history":[{"count":3,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/9291\/revisions"}],"predecessor-version":[{"id":11002,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/9291\/revisions\/11002"}],"up":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/9288"}],"wp:attachment":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=9291"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}