{"id":9288,"date":"2019-05-22T08:36:02","date_gmt":"2019-05-22T07:36:02","guid":{"rendered":"http:\/\/artsetculture.fr\/?page_id=9288"},"modified":"2020-08-25T17:34:58","modified_gmt":"2020-08-25T16:34:58","slug":"programme-de-la-saison","status":"publish","type":"page","link":"https:\/\/artsetculture.fr\/index.php\/historique\/programme-de-la-saison\/","title":{"rendered":"Saison 2018-2019"},"content":{"rendered":"

Conf\u00e9rences<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/h3>\n

Architectes japonais en France<\/span><\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>Catherine \u00a0Coudert<\/span><\/h4>\n

\"Seine<\/span><\/em><\/a>13\/09\/1<\/span><\/em><\/a>8<\/span><\/a>_ __Tadao Ando et Toyo Ito<\/span>\u00a0<\/span><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a020\/09\/18<\/span><\/a>___Agence Sanaa, Shinguru Ban,\u00a0 ____<\/span>\u00a0 _________<\/span>\u00a0 Sou Fujimoto<\/span><\/span><\/span><\/em><\/strong>
\n<\/strong><\/p>\n

L’Irlande \u00e0 la crois\u00e9e des chemins<\/em><\/span><\/a>\u00a0<\/span>\u00a0 \u00a0 \u00a0 <\/span>V\u00e9ronique Cromb\u00e9
\n<\/span><\/strong><\/h4>\n

27\/09\/18<\/a>\"Ballyseedy<\/a><\/strong><\/em>_\u00a0 \u00a0<\/span>Des United\u00a0 Irishmen\u00a0<\/span>\u00a0<\/span>\u00e0\u00a0 \u00a0_____________<\/span> l’insurrection de\u00a0<\/span><\/span>P\u00e2ques 1916<\/span> 04\/10\/18<\/a>_\u00a0 \u00a0De la guerre d’ind\u00e9pendance \u00e0 la _____________<\/span>\u00a0 \u00a0guerre civile<\/span><\/span><\/strong><\/span><\/em><\/span><\/span><\/strong><\/span><\/em><\/p>\n

Histoire de l’empire ottoman<\/em><\/span><\/a>\u00a0<\/a>\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Pierre-Alain Mallet<\/span><\/h4>\n

\"Soliman-CAR\"<\/span><\/a>18\/10\/18<\/span><\/a><\/em>\u00a0<\/span><\/strong>__<\/strong><\/span>La fondation de l’empire ottoman\u00a0 \u00a008\/11\/18<\/span><\/a>__ <\/span>Soliman le Magnifique et l’apog\u00e9e _____________<\/span>\u00a0 \u00a0de l’empire ottoman<\/em><\/strong><\/em><\/strong>
\n15\/11\/18<\/a>__\u00a0\u00a0L’art ottoman<\/span><\/span>\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/a><\/em><\/strong><\/em><\/strong><\/em><\/strong>22\/11\/18<\/a>_<\/span> \u00a0 Un lent d\u00e9clin\u00a0 ________\u00a0<\/span> \u00a0<\/span><\/em>29\/11\/18<\/a><\/em><\/span>_\u00a0 \u00a0De l’empire ottoman \u00e0 laTurquie\u00a0 \u00a0<\/span><\/em><\/span><\/strong><\/strong><\/p>\n

L’ic\u00f4ne russe et son h\u00e9ritage byzantin<\/span><\/a>\u00a0 \u00a0 \u00a0<\/em><\/strong><\/em><\/strong><\/em>Thierry Soulard<\/span><\/strong><\/strong>
\n<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/h4>\n

\"4-Andre\u00ef<\/strong><\/a>06\/12\/18<\/strong><\/a>\u00a0<\/a>\u00a0 Th\u00e9ologie et r\u00e8gles de composition\u00a0 <\/strong><\/strong><\/em>13\/12\/18<\/a><\/strong><\/strong><\/em>\u00a0 \u00a0De l’ic\u00f4ne byzantine \u00e0 l’ic\u00f4ne russe\u00a0 20\/12\/18<\/a>\u00a0 \u00a0 La floraison de l’ic\u00f4ne russe\u00a0 \u00a0<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____________________________________<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/strong><\/strong><\/em>
\n<\/span><\/span><\/strong><\/p>\n

Le Baroque, faste et illusions<\/span><\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/em><\/span><\/strong>Claire Gr\u00e9bille<\/span><\/strong><\/h4>\n

\"cycle<\/a><\/em><\/strong>10\/01\/19<\/em><\/a><\/strong>___<\/span>Civilisation de l’Europe baroque\u00a0 \u00a0 \u00a0 <\/strong><\/em>17\/01\/19<\/a>\u00a0 \u00a0 \u00a0 Rome, architecture et urbanisme\u00a0 <\/em><\/strong>24\/01\/19<\/a>_<\/span>__<\/span>Rome, peinture et sculpture\u00a0 31\/01\/19<\/a>_<\/span>_\u00a0<\/span>Le Baroque dans le reste de l’Italie\u00a0 <\/strong><\/em><\/em><\/strong>07\/02\/19<\/a>_<\/span>_\u00a0<\/span>Expansion et r\u00e9sistance\u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/em><\/em><\/strong><\/p>\n

Civilisations de la p\u00e9ninsule<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>\u00a0<\/a><\/em><\/span>Christine Darmagnac\u00a0 \u00a0arabique<\/em><\/span><\/a><\/span><\/strong>
\n<\/span><\/strong><\/h4>\n

14\/02\/19<\/a>\"Carte<\/a><\/em><\/strong>\u00a0 \u00a0 \u00a0La civilisation de Dilmoun\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/strong>21\/02\/19<\/a><\/span>\u00a0 \u00a0 \u00a0<\/em><\/strong>Royaumes caravaniers et route de _____________<\/span>\u00a0 \u00a0l’encens \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 14\/03\/19<\/a><\/span>\u00a0 \u00a0\u00a0 Le sultanat d’Oman ______\u00a0 \u00a0<\/span> \u00a0 21\/03\/19<\/a><\/span>\u00a0 \u00a0 \u00a0L’Arabie saoudite\u00a0 \u00a0 \u00a0 ________\u00a0<\/span> \u00a0 <\/em><\/strong>28\/03\/19<\/a><\/span>\u00a0 \u00a0 \u00a0La civilisation nabat\u00e9enne, P\u00e9tra\u00a0\u00a0<\/em><\/strong>
\n<\/em><\/strong><\/p>\n

L’histoire du Ballet<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Martine Anstett<\/span><\/strong><\/h4>\n

11\/04\/19<\/a>\"Paquita<\/a><\/strong><\/em>\u00a0 \u00a0 \u00a0Marius Petipa\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong><\/em>18\/04\/19<\/a>\u00a0 \u00a0 \u00a0Les ballets russes de Diaghilev <\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<\/span><\/em><\/strong>______________________________________<\/span><\/strong><\/p>\n

 <\/p>\n

Visites – Expositions<\/span><\/span><\/h3>\n

Pour vous inscrire, cliquez sur la date de la visite.<\/strong><\/em><\/span><\/p>\n

Le\u00a0Marais de Mme de S\u00e9vign\u00e9 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 Patrick Hemmler
\n<\/span><\/strong><\/h4>\n

\"752413<\/p>\n

21\/09\/18<\/strong><\/span><\/a><\/em>\u00a0 \u00a0 \u00a0\u00a0Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 28\/09\/18<\/span><\/a>\u00a0 \u00a0 \u00a0 Groupe \u00a0B\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0_____________________________________________________<\/span><\/em><\/strong><\/p>\n

Alphonse Mucha\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>Fran\u00e7oise Gagliano\u00a0<\/span><\/strong><\/h4>\n

Mus\u00e9e du Luxembourg<\/strong>\u00a0\"Four_Seasons_by_Alfons_Mucha,-RWEB\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a008\/10\/18<\/strong><\/em><\/span><\/a>\u00a0\u00a0\u00a0 Groupes \u00a0A et B\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0_____________\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0____________________________________________________<\/span><\/em><\/strong>
\n<\/strong><\/p>\n

Caravage \u00e0 Rome\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0Fran\u00e7oise Gagliano \u00a0<\/span><\/strong><\/h4>\n

\"La_Diseuse_de_bonne_aventure,_Caravaggio_CAC1WEB\"Jacquemart-Abdr\u00e9\u00a0___________<\/span><\/strong>\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 27\/11\/1<\/a>8<\/strong><\/em><\/span>\u00a0 \u00a0\u00a0 Groupes\u00a0 A<\/em><\/strong>\u00a0et B\u00a0 \u00a0 \u00a0 \u00a0 ___________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0_________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0________________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/em><\/strong><\/p>\n

Giacometti\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0Fran\u00e7oise Gagliano \u00a0<\/span><\/strong><\/h4>\n

\u00a0\"Giacom-RWEB\"Mus\u00e9e Maillol\u00a0________<\/span><\/span>___<\/span><\/strong>\u00a0<\/span>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 10\/12\/18<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupes \u00a0A et B<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0___________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<\/em><\/strong>\u00a0\u00a0\u00a0\u00a0<\/em><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0_________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0________________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/em><\/strong><\/p>\n

Joan Miro<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span><\/strong>Fran\u00e7oise Gagliano\u00a0<\/span><\/strong><\/h4>\n

\u00a0\"1546_0_Miro_Zephirvogel_1-CARDOC\"Grand Palais\u00a0 \u00a0 \u00a0 \u00a0\u00a0_______________________ <\/span>07\/01\/19<\/a><\/span><\/em><\/strong>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0_________________<\/span> 21\/01\/19<\/span><\/a>\u00a0 \u00a0\u00a0 Groupe \u00a0B\u00a0 \u00a0 __________________\u00a0<\/span><\/em><\/strong>\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

Le Cubisme\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em>\u00a0 \u00a0Fran\u00e7oise G<\/span>a<\/strong>gliano \u00a0<\/span><\/strong><\/h4>\n

\"11564993754_8e58c7e109_b\"Centre Pompidou_____<\/span><\/span>___<\/span><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 04\/02\/19<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupe\u00a0 A <\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0___________\u00a0 18\/02\/19<\/span><\/a>\u00a0 \u00a0\u00a0 Groupe\u00a0 B\u00a0 \u00a0 \u00a0 \u00a0 ________________________<\/span><\/span><\/em><\/strong><\/span><\/em><\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 3 prochaines visites \u00e0 programmer<\/em><\/span><\/h4>\n

_______________________________________________________________<\/span><\/p>\n

Patrimoine local<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h3>\n

\"sur-le-motif-800x0-CARWEB\"Sur le motif\u00a0<\/em> \u00a0 \u00a0<\/span><\/h4>\n

Mus\u00e9e Senlecq – L’Isle-Adam\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 14\/09\/18<\/a><\/em><\/span>\u00a0 \u00a0 \u00a0\u00a0Groupes A et B\u00a0<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>\u00a0<\/strong><\/p>\n

<\/h3>\n

_____________________<\/span><\/h3>\n

_\u00a0 \u00a0___Programme saison en cours<\/a>\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Informations \u00a0pratiques<\/a><\/strong><\/em><\/span><\/strong><\/em><\/p>\n

\u00a0__________________________________________ \u21d1<\/a><\/strong><\/span><\/h1>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rences \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Architectes japonais en France\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Catherine \u00a0Coudert 13\/09\/18_ __Tadao Ando et Toyo Ito\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a020\/09\/18___Agence Sanaa, Shinguru Ban,\u00a0 ____\u00a0 _________\u00a0 Sou Fujimoto L’Irlande \u00e0 la … Continuer la lecture de Saison 2018-2019<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":88,"menu_order":6,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-9288","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/9288","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=9288"}],"version-history":[{"count":4,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/9288\/revisions"}],"predecessor-version":[{"id":11019,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/9288\/revisions\/11019"}],"up":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/88"}],"wp:attachment":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=9288"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}