{"id":8162,"date":"2018-04-13T11:39:38","date_gmt":"2018-04-13T10:39:38","guid":{"rendered":"http:\/\/artsetculture.fr\/?page_id=8162"},"modified":"2020-08-25T17:28:18","modified_gmt":"2020-08-25T16:28:18","slug":"saison-2017-2018","status":"publish","type":"page","link":"https:\/\/artsetculture.fr\/index.php\/historique\/saison-2017-2018\/","title":{"rendered":"Saison 2017-2018"},"content":{"rendered":"

Conf\u00e9rences<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/h3>\n

Architectes contemporains<\/em><\/a>\u00a0 \u00a0 \u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Catherine \u00a0Coudert<\/span><\/h4>\n

\"philarmonie-WEB\"14<\/em>\/09\/17<\/a>___<\/span>Jean Nouvel<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 21\/09\/17<\/a>___<\/span>Christian de Portzamparc<\/span><\/em><\/strong>
\n<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

L’hindouisme<\/em><\/a>\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<\/span>V\u00e9ronique Cromb\u00e9
\n<\/span><\/strong><\/h4>\n

28\/09\/17<\/a><\/strong><\/em>\"P1000334-C2-WEB\"<\/a>___<\/span>L’hindouisme des textes, des \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0______________\u00a0<\/span>mythes et des Dieux<\/strong><\/span><\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a005\/10\/17<\/a>_ _<\/span>La soci\u00e9t\u00e9 hindoue \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0____________ __<\/span>L’hindouisme\u00a0<\/span>au del\u00e0 des \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0______________\u00a0<\/span>fronti\u00e8res<\/span><\/em><\/strong><\/p>\n

Merci d’\u00eatre velu! \u00a0Histoire du poil<\/em><\/span><\/a>\u00a0<\/a>\u00a0<\/span>\u00a0Pierre-Alain Mallet<\/span><\/h4>\n

12\/10\/17<\/span><\/a><\/em>\u00a0<\/span><\/strong>__<\/strong><\/span>Histoire de cheveux et de couleur \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 19\/10\/17<\/span><\/a>__ <\/span>Malheur aux barbus<\/em><\/strong><\/em><\/strong>\"Dali-C1\"<\/a><\/strong>
\n09\/11\/17<\/a>__\u00a0<\/span>Tous les mots sont fins quand la ______________\u00a0<\/span>moustache est fine \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/strong><\/em><\/strong><\/em><\/strong>16\/11\/17<\/a>_<\/span> \u00a0 Perruques et postiches<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/span>\u00a0 \u00a0 \u00a0 \u00a0<\/span><\/em>23\/11\/17<\/a><\/span><\/em>_\u00a0\u00a0Eloge de la calvitie<\/span><\/em><\/span><\/strong><\/strong><\/p>\n

Sciences m\u00e9di\u00e9vales<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 <\/em><\/strong><\/em><\/strong><\/em>Thierry Soulard<\/span><\/strong><\/strong>
\n<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/h4>\n

\"3-Un<\/strong><\/a>30\/11\/17<\/strong><\/a>\u00a0<\/a>\u00a0 \u00a0 \u00a0L’alchimie au Moyen-\u00e2ge 07\/12\/17<\/a><\/strong><\/strong><\/em>\u00a0 \u00a0 \u00a0\u00a0L’astrologie au Moyen-\u00e2ge \u00a0 \u00a0 \u00a0 14\/12\/17<\/a>\u00a0 \u00a0 \u00a0 La m\u00e9decine au Moyen-\u00e2ge\u00a0 \u00a0<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/strong><\/strong><\/em>
\n<\/span><\/span><\/strong><\/p>\n

La peinture hollandaise<\/a><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 au si\u00e8cle d’or<\/a><\/span><\/span>\u00a0\u00a0<\/em><\/span><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0 Claire Gr\u00e9bille
\n<\/span><\/strong><\/h4>\n

21\/12\/17<\/a>\"1<\/a><\/em>___<\/span>Le si\u00e8cle d’or hollandais_____<\/span>____ <\/span><\/strong><\/em>11\/01\/18<\/a>\u00a0 \u00a0 \u00a0 Le portrait entre individualisme \u00a0 \u00a0 \u00a0 \u00a0 _____________<\/span>et collectif \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/strong>18\/01\/18<\/a>_<\/span>__<\/span>Nature morte, po\u00e9sie silencieuse _______________<\/span>et morale protestante \u00a0 \u00a0 \u00a0 25\/01\/18<\/a>_<\/span>__<\/span>Sc\u00e8ne de genre \u00e9loge ___________<\/span> \u00a0 \u00a0______________<\/span> du\u00a0<\/span>quotidien \u00a0____________ _____________ __________________<\/span> \u00a0<\/strong><\/em><\/em><\/strong>01\/02\/18<\/a>_<\/span>__<\/span>L’ambition des \u00a0peintres hollandais<\/strong><\/em><\/em><\/strong><\/p>\n

Panorama des civilisations<\/a><\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/span> de_M\u00e9diterran\u00e9e<\/span>\u00a0<\/a> \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Christine Darmagnac<\/span><\/strong>
\n<\/span><\/strong><\/h4>\n

08\/02\/18<\/a>\"Ingresso_cothon_Mozia_MOD\"<\/a>\u00a0 \u00a0\u00a0\u00a0Les antiques\u00a0<\/strong>civilisations de la _____________<\/span>\u00a0 mer Eg\u00e9e\u00a0 _________________<\/span><\/em><\/strong> 15\/02\/18<\/a><\/span>\u00a0 \u00a0\u00a0 <\/em><\/strong>Des Ph\u00e9niciens aux Puniques \u00a0 \u00a0 \u00a0 \u00a0 ______________\u00a0<\/span>Carthage \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 08\/03\/18<\/a><\/span>\u00a0 \u00a0\u00a0 Peuples italiques et \u00e9trusques \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 La colonisation grecque –\u00a0 La Grande Gr\u00e8ce \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 15\/03\/18<\/a><\/span>\u00a0 \u00a0 Avec le d\u00e9clin de l’empire romain \u00a0 \"Krak\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 ___\u00a0<\/span>les grands bouleversements\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 22\/03\/18<\/a><\/span>\u00a0 \u00a0 Les croisades – L’empire ottoman ______________________________________________<\/span>
\n<\/em><\/strong><\/p>\n

L’histoire du Ballet<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Martine Anstett<\/span><\/strong><\/h4>\n

\"B\u00e9jart<\/a>05\/04\/18<\/a><\/strong><\/em>\u00a0 \u00a0\u00a0 Maurice B\u00e9jart \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ______________\u00a0<\/span>Chor\u00e9graphe du XXe si\u00e8cle<\/strong><\/em>\u00a0 \u00a0 \u00a0 \u00a0\u00a0 12\/04\/18<\/a>\u00a0 \u00a0\u00a0 Le chor\u00e9graphe Roland Petit<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/em><\/strong>______________________________________<\/span><\/strong><\/p>\n

 <\/p>\n

Visites – Expositions<\/span><\/span><\/h3>\n

 <\/p>\n

Le canal St Martin \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Patrick Hemmler
\n<\/span><\/strong><\/h4>\n

\"OLYMPUS<\/p>\n

26\/09\/17<\/strong><\/span><\/a><\/em>\u00a0 \u00a0 \u00a0\u00a0Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 27\/09\/17<\/span><\/a>\u00a0 \u00a0 \u00a0 \u00a0Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Derain \u00a0Balthus \u00a0Giacometti \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>Fran\u00e7oise Gagliano\u00a0<\/span><\/strong><\/h4>\n

Mus\u00e9e d’art moderne<\/strong> \"Derain-RWEB\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a003\/10\/17<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupes \u00a0A et B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0____________________________________________________<\/span><\/em><\/strong>
\n<\/strong><\/p>\n

Gauguin l’alchimiste\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0Fran\u00e7oise Gagliano \u00a0<\/span><\/strong><\/h4>\n

\"Arearea,_by_Paul_Gauguin-CAWEB\"Grand Palais ___________<\/span><\/strong>\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 16\/10\/1<\/a>7<\/strong><\/em><\/span>\u00a0 \u00a0\u00a0 Groupe \u00a0A<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0\u00a0 ___________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 15\/01\/18<\/a> \u00a0 \u00a0 <\/span>Groupe \u00a0B\u00a0<\/em><\/strong> \u00a0\u00a0 <\/em><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0_________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0________________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/em><\/strong><\/p>\n

Monet collectionneur\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0Fran\u00e7oise Gagliano \u00a0<\/span><\/strong><\/h4>\n

\"Etretat-rough-seas-Monet-WEB\"Mus\u00e9e Marmottan\u00a0________<\/span><\/span>___<\/span><\/strong>\u00a0<\/span>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 07\/11\/17<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupes \u00a0A et B<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0___________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<\/em><\/strong>\u00a0\u00a0\u00a0\u00a0<\/em><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0_________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0________________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/em><\/strong><\/p>\n

Le Pop-art am\u00e9ricain<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span><\/strong>Fran\u00e7oise Gagliano\u00a0<\/span><\/strong><\/h4>\n

\"AndyMus\u00e9e \u00a0Maillol\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0________________ <\/span>04\/12\/17<\/a><\/span><\/em><\/strong>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0_________________<\/span> 11\/12\/17<\/span><\/a>\u00a0 \u00a0\u00a0 Groupe \u00a0B\u00a0 \u00a0 __________________\u00a0<\/span><\/em><\/strong>\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Collection Walter – Nymph\u00e9as\u00a0 \u00a0 \u00a0 \u00a0<\/em>\u00a0 \u00a0Fran\u00e7oise G<\/span>a<\/strong>gliano \u00a0<\/span><\/strong><\/h4>\n

\"Nymph\u00e9as-C1WEB\"Mus\u00e9e de l’Orangerie_____<\/span><\/span>___<\/span><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 29\/01\/18<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupe\u00a0 A <\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0___________\u00a0 31\/01\/18<\/span><\/a>\u00a0 \u00a0\u00a0 Groupe\u00a0 B<\/span><\/em><\/strong><\/span><\/em><\/strong><\/p>\n

 <\/p>\n

Foujita – Les ann\u00e9es folles\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span>\u00a0Fran\u00e7oise Gagliano \u00a0<\/span><\/strong><\/h4>\n

\"086-foujita_1917_les_grues-CAWEB\"Mus\u00e9e Maillol\u00a0 \u00a0\u00a0________<\/span><\/span>___<\/span><\/strong>\u00a0<\/span>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 26\/03\/18<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupes \u00a0A et B<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0___________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<\/em><\/strong>\u00a0\u00a0\u00a0\u00a0<\/em><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0_________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0________________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/em><\/strong><\/p>\n

Mary Cassatt\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 _____________\u00a0<\/span> \u00a0 \u00a0<\/em><\/span>\u00a0Fran\u00e7oise Gagliano \u00a0<\/span><\/strong><\/h4>\n

\"ToMother-02-CA\"Mus\u00e9e\u00a0Jacquemart-Andr\u00e9\u00a0\u00a0\u00a0________<\/span><\/span>___<\/span><\/strong>\u00a0<\/span>\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 03\/04\/18<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupes \u00a0A et B<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0___________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0<\/em><\/strong>\u00a0\u00a0\u00a0\u00a0<\/em><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0_________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0________________ \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/em><\/strong><\/p>\n

Le P\u00e8re Lachaise\u00a0 \u00a0 \u00a0_______________<\/span>\u00a0\u00a0<\/em>\u00a0 \u00a0Patrick Hemmler<\/span><\/strong>\u00a0\u00a0<\/span><\/strong><\/h4>\n

\"????????????????????????????????????\"<\/p>\n

Cimeti\u00e8re du P\u00e8re Lachaise_____<\/span><\/span>___<\/span><\/strong>\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 13\/04\/18<\/strong><\/em><\/span><\/a>\u00a0 \u00a0\u00a0 Groupe\u00a0 A\u00a0 \u00a0<\/em><\/strong>\u00a0\u00a0______________\u00a0 \u00a0 \u00a0 \u00a0 04\/05\/18<\/span><\/a>\u00a0 \u00a0\u00a0\u00a0Groupe\u00a0 B<\/span><\/em><\/strong><\/span><\/em><\/strong><\/p>\n

<\/h3>\n

Patrimoine local<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h3>\n

\"01-Vexin-environs-CA-WEB\"Olivier Verley\u00a0<\/em> \u00a0 \u00a0<\/span><\/h4>\n

Mus\u00e9e Senlecq – L’Isle-Adam \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 13\/09\/17<\/a><\/em><\/span>\u00a0 \u00a0 \u00a0\u00a0Groupes A et B\u00a0<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>\u00a0<\/strong><\/p>\n

<\/h3>\n

_____________________<\/span><\/h3>\n

______\u00a0 \u00a0Programme saison en cours<\/span><\/a><\/span><\/strong><\/em>\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Informations \u00a0pratiques<\/a><\/strong><\/em><\/p>\n

\u00a0__________________________________________ \u21d1<\/a><\/strong><\/span><\/h1>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rences \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Architectes contemporains\u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Catherine \u00a0Coudert 14\/09\/17___Jean Nouvel\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 21\/09\/17___Christian de Portzamparc \u00a0 \u00a0 … Continuer la lecture de Saison 2017-2018<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":88,"menu_order":7,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-8162","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/8162","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=8162"}],"version-history":[{"count":5,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/8162\/revisions"}],"predecessor-version":[{"id":11017,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/8162\/revisions\/11017"}],"up":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/88"}],"wp:attachment":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=8162"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}