{"id":6333,"date":"2017-05-03T16:25:45","date_gmt":"2017-05-03T15:25:45","guid":{"rendered":"http:\/\/artsetculture.fr\/?page_id=6333"},"modified":"2020-08-25T17:24:36","modified_gmt":"2020-08-25T16:24:36","slug":"saison2016-2017","status":"publish","type":"page","link":"https:\/\/artsetculture.fr\/index.php\/historique\/saison2016-2017\/","title":{"rendered":"Saison 2016-2017"},"content":{"rendered":"

Conf\u00e9rences<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span><\/h3>\n

Architectes contemporains<\/em><\/a>\u00a0 \u00a0 \u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Catherine \u00a0Coudert<\/span><\/h4>\n

\"1024px-Mucem-Villa-de-la-Mediterannee-Marseille-SD-C1\"<\/a><\/span>15\/09\/16<\/a>___<\/span>Rudy Ricciotti \u00a0<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 22\/09\/16<\/a>___<\/span><\/strong>Renzo Piano<\/em>\u00a0 \u00a0\u00a0<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

Histoire de la caricature<\/em><\/a>\u00a0\u00a0<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Pierre-Alain Mallet<\/span><\/h4>\n

\"GraffitisSD-CP-MT\"29\/09\/16<\/a>__<\/span><\/strong>De l\u2019antiquit\u00e9 au Moyen-\u00e2ge \u00a0 \u00a0 \u00a0 _______________<\/span>qu\u2019est-ce .<\/span>qu\u2019une caricature 06\/10\/16<\/a>___<\/span>La caricature imprim\u00e9e au \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 _______________<\/span>service d\u2019une.<\/span>propagande \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 _______________<\/span>religieuse et sociale \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/em><\/strong>
\n13\/10\/16<\/a>___<\/span>Les journaux satiriques au<\/em><\/strong>\u00a0 \u00a0\u00a0<\/em><\/strong><\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/strong>_______________<\/span>XIX\u00e8me si\u00e8cle \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \"Carte_jaccuse-SD-C3\"\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>03\/11\/16<\/a>___<\/em><\/span>Les artistes face \u00e0 l\u2019histoire \u00a0 \u00a0 \u00a0 <\/em><\/strong><\/em>10\/11\/16<\/a>___<\/span><\/strong>Les journaux au XX\u00e8me si\u00e8cle\u00a0: \u00a0 <\/em><\/strong><\/em><\/strong><\/em><\/strong>________________<\/span>du Canard enchain\u00e9 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ________________<\/span>\u00e0 Charlie Hebdo<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/p>\n

La Russie contemporaine<\/em><\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/span>Edith de la Fourni\u00e8re\"Poutine\"<\/a>
\n<\/span><\/strong><\/h4>\n

17\/11\/16<\/a>___<\/span><\/strong>Passage de l’URSS \u00e0 la \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 _________\u00e7______<\/span>F\u00e9d\u00e9ration de Russie \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 24\/11\/16<\/a>_ __<\/span><\/em><\/strong>Poutine – De l’ombre \u00e0 la \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 __________\u00e7_____<\/span>lumi\u00e8re <\/em><\/strong>
\n01\/12\/16<\/a>___<\/span>L’\u00e9conomie russe \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ___________\u00e7____<\/span>C<\/span><\/em><\/strong>olosse<\/span> aux \u00a0pieds d’argile?\u00a0\"moscou\"<\/a>
\n<\/em><\/strong>08\/12\/16<\/a>___<\/span>La renaissance de l’Eglise \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ________________<\/span>orthodoxe \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 <\/em><\/strong><\/em>15\/12\/16<\/strong><\/a>___<\/span><\/strong>La vie artistique et \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ________________<\/span>l’Intelligentsia \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/p>\n

Les \u00ab\u00a0Primitifs\u00a0\u00bb flamands<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/strong><\/em><\/strong><\/em>Claire Grebille<\/span><\/strong><\/strong> \u00a0 \u00a0<\/em><\/strong><\/em><\/strong><\/em><\/strong><\/h4>\n

\"06-Pieter_Bruegel_the_Elder_-_Hunters_in_the_Snow_(Winter)-WEB\"<\/a>05\/01\/17<\/strong><\/a>\u00a0<\/a>\u00a0 \u00a0 \u00a0Les Etats de Bourgogne \u00a0 \u00a0 \u00a0 12\/01\/17<\/a><\/strong><\/strong><\/em>\u00a0 \u00a0 \u00a0\u00a0Van Eyck – R\u00e9volution du regard 19\/0<\/a>1\/17<\/a>\u00a0 \u00a0 \u00a0 Ars Nova et Devotio moderna \u00a0 26\/01\/17<\/a>\u00a0 \u00a0 \u00a0 Le peintre et le commanditaire \u00a0 \u00a0 02\/02\/17<\/a>\u00a0 \u00a0 \u00a0 Bosch et Bruegel\u00a0 \u00a0<\/strong>\u00a0\u00a0<\/strong><\/strong><\/strong><\/em>
\n<\/span><\/span><\/strong><\/p>\n

Histoire du Maroc<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/span><\/strong>du_<\/span>VIIe_<\/span>au_<\/span>XXe_<\/span>si\u00e8cle<\/em><\/strong><\/a><\/span> \u00a0<\/em><\/span><\/span><\/strong><\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0\u00a0 Christine Darmagnac<\/span><\/strong><\/h4>\n

23\/02\/17<\/a>\"Bab<\/a>___<\/span>Dynastie des Idrissides \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 _______________<\/span>Fondation de F\u00e8s_________<\/span><\/strong><\/em>\u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 02\/03\/17<\/a>\u00a0 \u00a0 \u00a0 Les Almoravides et les Almohades \u00a0 _______________<\/span>Fondation de Marrakech \u00a0 \u00a0 \u00a0 <\/em><\/strong>09\/03\/17<\/a>_<\/span>__<\/span>L’Andalousie musulmane \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 16\/03\/17<\/a>_<\/span>__<\/span>Les M\u00e9rinides, les Ouatissides, \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 _______________<\/span>les_<\/span>\"Alcazar<\/a><\/strong><\/em><\/em><\/strong>Saadiens-Fondation de Rabat 23\/03\/17<\/a>_<\/span>__<\/span>Les Alaouites, le protectorat \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ____________ ___<\/span>fran\u00e7ais-Fondation de Mekn\u00e8s 30\/03\/17<\/a>___<\/span>Tanger de 1923 \u00a0\u00e0 1956 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 ___________ ____<\/span>Ecrivains et peintres\u00a0<\/strong><\/em><\/em><\/strong><\/p>\n

L’art du Ballet<\/a>\u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Martine Anstett<\/span><\/strong>
\n\"540_3907\"<\/a><\/span><\/strong><\/h4>\n

20\/04\/17<\/a>\u00a0 \u00a0 \u00a0\u00a0La naissance du Ballet classique 27\/04\/17<\/a>\u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong>L’\u00e9volution du Ballet classique \u00a0 \u00a0 \u00a0 ________________<\/span>au \u00a0XXe si\u00e8cle<\/em><\/strong><\/p>\n

Visites – Expositions<\/span><\/span><\/h3>\n

Pour vous inscrire, cliquez sur la date de la visite.<\/strong><\/em><\/span><\/p>\n

La Cit\u00e9 universitaire\u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 Patrick Hemmler\"Cit\u00e9U-C2\"
\n<\/span><\/strong><\/h4>\n

11\/10\/16<\/a>\u00a0 \u00a0 \u00a0\u00a0Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 14\/10\/16<\/a>\u00a0 \u00a0 \u00a0 \u00a0Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Magritte \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span> \u00a0\u00a0 \u00a0 \u00a0 \u00a0 Fran\u00e7oise Gagliano\u00a0<\/span><\/strong><\/h4>\n

Mus\u00e9e Georges Pompidou<\/strong>\u00a0\"Les \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 07\/11\/16<\/a>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 14\/11\/16<\/a>\u00a0 \u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong>
\n<\/strong><\/p>\n

Rembrandt \u00a0intime \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0\u00a0 Fran\u00e7oise Gagliano \u00a0<\/span><\/strong><\/h4>\n

\"Rembrandt-2\"Mus\u00e9e Jacquemart-Andr\u00e9<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 22\/11\/16<\/a>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 06\/12\/16<\/a>\u00a0 \u00a0 \u00a0Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Fantin-Latour \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0 <\/em><\/span>Fran\u00e7oise Gagliano\u00a0<\/span><\/strong><\/h4>\n

\"Fantin-Latour-2\"Mus\u00e9e \u00a0du Luxembourg \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>28\/11\/16<\/a>\u00a0 \u00a0\u00a0 Groupes \u00a0A et B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Tous \u00e0 la plage \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Fran\u00e7oise Gagliano\u00a0<\/span><\/strong>
\n<\/b><\/h4>\n

Cit\u00e9 de l’Architecture et du Patrimoine<\/b>\u00a0\"Locations-vacances-Veules-C1\" \u00a0 \u00a0 \u00a0 18\/01\/17<\/a><\/strong><\/em>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 25\/01\/17<\/a>\u00a0\u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Vermeer et les ma\u00eetres \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 <\/em>Fran\u00e7oise Gagliano<\/span>
\n\"Johannes_Vermeer_-_The_lacemaker_(c.1669-1671)-WEB2\"de la peinture de genre \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span><\/strong><\/h4>\n

Palais du Louvre \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/b>22\/02\/17<\/a><\/strong><\/em>\u00a0 \u00a0\u00a0 Groupes \u00a0A \u00a0et \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

La coul\u00e9e verte\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em><\/span>Patrick Hemmler \u00a0<\/span><\/strong>
\n<\/b><\/h4>\n

P\"la_promenade_plantee-bassins_april_2015_009-web\"romenade plant\u00e9e Ren\u00e9 Dumont<\/b>
\n24\/03\/17<\/a><\/strong><\/em>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 31\/03\/17<\/a>\u00a0\u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Rodin-L’exposition du centenaire \u00a0\u00a0\u00a0 <\/em><\/span>Fran\u00e7oise Gagliano\u00a0<\/span><\/strong>
\n<\/b><\/h4>\n

\"images\"Grand Palais<\/b>
\n27\/03\/17<\/a><\/em><\/strong>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 28\/04\/17<\/a>\u00a0\u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

21 rue La Bo\u00e9tie \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 <\/em><\/span>Fran\u00e7oise Gagliano \u00a0<\/span><\/strong>
\n<\/b><\/h4>\n

Mus\u00e9e Maillol \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Collection \u00a0Rosenberg<\/b><\/p>\n

05\/05\/17<\/a><\/em><\/strong>\u00a0 \u00a0\u00a0 Groupes \u00a0A \u00a0et \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

Patrimoine local<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h3>\n

\"Claude-Viseux-texte_hight\"Claude Viseux<\/em>\u00a0 \u00a0 \u00a0<\/span><\/h4>\n

Mus\u00e9e Senlecq – L’Isle-Adam \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 23\/09\/16<\/a>\u00a0 \u00a0 \u00a0 La r\u00e9alit\u00e9 transform\u00e9e\u00a0<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>\u00a0<\/strong><\/p>\n

Escapade culturelle<\/span><\/span><\/h3>\n

\"Face-privative--C-5\"La Champagne<\/em>\u00a0 \u00a0 \u00a0<\/span><\/h4>\n

11\/05\/17<\/a>\u00a0 \u00a0 \u00a0\u00a0Visite du Ch\u00e2teau de Pierry \u00a0 \u00a0 ________________<\/span>et de la vieille ville de \u00a0 \u00a0 \u00a0 ________________<\/span>Chalons en Champagne<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>\u00a0\u00a0<\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/em><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Programme saison en cours<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Informations \u00a0pratiques<\/a><\/strong><\/em><\/p>\n

\u00a0__________________________________________ \u21d1<\/a><\/strong><\/span><\/h1>\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rences \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 Architectes contemporains\u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Catherine \u00a0Coudert 15\/09\/16___Rudy Ricciotti \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 22\/09\/16___Renzo Piano\u00a0 \u00a0\u00a0 \u00a0 … Continuer la lecture de Saison 2016-2017<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":88,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6333","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/6333","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=6333"}],"version-history":[{"count":10,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/6333\/revisions"}],"predecessor-version":[{"id":11016,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/6333\/revisions\/11016"}],"up":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/88"}],"wp:attachment":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=6333"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}