{"id":46,"date":"2016-01-27T17:53:09","date_gmt":"2016-01-27T16:53:09","guid":{"rendered":"http:\/\/artsetculture.fr\/?page_id=46"},"modified":"2020-08-25T11:45:55","modified_gmt":"2020-08-25T10:45:55","slug":"saison2015-2016","status":"publish","type":"page","link":"https:\/\/artsetculture.fr\/index.php\/historique\/saison2015-2016\/","title":{"rendered":"Saison 2015-2016"},"content":{"rendered":"

Pour acc\u00e9der \u00e0 l’historique complet de nos activit\u00e9s depuis\u00a01999<\/strong><\/span> <\/em>veuillez\u00a0cliquer sur le lien ci-contre: \u00a0 \u00a0 \u00a0HISTORIQUE<\/a><\/strong><\/p>\n

Conf\u00e9rences<\/span> \u00a0<\/span><\/h3>\n

Berlioz<\/em> <\/span>– Pierre-Alain Mallet\"tumblr_static_hector-berlioz-C1\"
\n<\/em><\/span><\/span><\/h4>\n

17\/09\/15<\/strong><\/a><\/p>\n

Les Arts en Iran<\/em> –\u00a0Edith de la Fourni\u00e8re<\/span><\/h4>\n

24\/09\/15<\/a> \u00a0 \u00a0 L’architecture\"Carreau<\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 08\/10\/15<\/a>\u00a0 \u00a0\u00a0 Le jardin persan\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/em>15\/10\/15<\/a> \u00a0 \u00a0 L’art de la\u00a0repr\u00e9sentation histori\u00e9e <\/em>05\/11\/15<\/a><\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0 Les arts du livre\u00a0\u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/em>12\/11\/15<\/strong><\/a>\u00a0\u00a0\u00a0\u00a0 La tapisserie persane<\/strong><\/em><\/p>\n

\"Vuitton\"Franck Gehry\u00a0<\/em><\/span>– <\/strong>Christine Coudert<\/strong><\/span>
\n<\/span><\/h4>\n

01\/10\/15<\/strong><\/a><\/em><\/p>\n

Les aventures de l’\u00e9criture<\/em>\u00a0– Pierre-Alain Mallet<\/span><\/h4>\n

\"gal70_scribe_01f\"19\/11\/15<\/a> \u00a0 \u00a0 L’invention des \u00e9critures<\/em>
\n26\/11\/15<\/a>\u00a0 \u00a0 \u00a0Les supports de l’\u00e9crit \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 03<\/a><\/em>\/12\/15<\/a> \u00a0 \u00a0\u00a0Fabrication et usages \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/em>10\/12\/15<\/a><\/strong>\u00a0 \u00a0 \u00a0Le livre et son d\u00e9cor \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong><\/em>17\/12\/15<\/strong><\/a>\u00a0 \u00a0 \u00a0De l’imprim\u00e9 au livre \u00e9lectronique<\/strong><\/em><\/p>\n

Les utopies en architecture <\/em> –\u00a0\u00a0Claire Gr\u00e9bille<\/span><\/h4>\n

07\/01\/16<\/strong><\/a> \u00a0 \u00a0\u00a0 La cit\u00e9 id\u00e9ale de la renaissance\u00a0 \u00e0 l’\u00e2ge baroque\"Les-Cite\u0301s-Obscures-1987-Larchiviste-Peeters-Schuiten-19c<\/strong><\/em>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 14\/01\/16<\/a><\/strong> \u00a0\u00a0\u00a0\u00a0 Les utopies des Lumi\u00e8res\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/em>21\/01\/16<\/strong><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0 Des cit\u00e9s ouvri\u00e8res aux cit\u00e9s-jardins <\/strong><\/em>28\/01\/16<\/strong><\/a> \u00a0 \u00a0\u00a0 Utopies architecturales et repr\u00e9sentation <\/strong><\/em>04\/02\/16<\/strong><\/a> \u00a0<\/span> \u00a0\u00a0 Les expositions universelles<\/strong><\/em>
\n<\/strong><\/p>\n

Histoire et Art de la Sicile <\/em>–\u00a0\u00a0Christine Darmagnac<\/span><\/h4>\n

11\/02\/16<\/strong><\/a> \u00a0 \u00a0 L’\u00e2ge du bronze \u2013 Les premiers peuples de la Sicile\"cathedrale<\/strong><\/em>\u00a0\u00a0\u00a0\u00a0 18\/02\/16<\/strong><\/a> \u00a0 \u00a0 Fondation et\u00a0 conflits conflits\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 10\/03\/16<\/a><\/strong><\/em>\u00a0 \u00a0 \u00a0\u00a0Des guerres puniques aux Byzantins \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Rome en Sicile \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 17\/03\/16<\/a><\/strong><\/em>\u00a0 \u00a0 \u00a0\u00a0Le royaume normand de Sicile\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong><\/em>24\/03\/16<\/strong><\/a> \u00a0<\/span> \u00a0\u00a0 Des Angevins aux Bourbons de Sicile<\/em><\/strong><\/p>\n

Histoire et Art de la Cor\u00e9e <\/em>–\u00a0\u00a0Mme Hay-Won Forgione
\n<\/span><\/h4>\n

31\/03\/16<\/strong><\/a> \u00a0 \u00a0\u00a0 La Cor\u00e9e des origines \u00e0 l’unification Silla\u00a0 (Xe si\u00e8cle)\"Jogyesa<\/strong><\/em>\u00a0 07\/04\/16<\/a><\/strong> \u00a0\u00a0\u00a0\u00a0 L’\u00e9poque Choson, dynastie Yi\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 (XVe \u2013 XIXe si\u00e8cle)\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 14\/04\/16<\/a><\/strong><\/em>\u00a0 \u00a0 \u00a0 \u00a0De la spiritualit\u00e9\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 21\/04\/16<\/a><\/strong><\/em>\u00a0 \u00a0 \u00a0 \u00a0Les relations France \u2013 Cor\u00e9e \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 (XIXe \u2013 XXe si\u00e8cle) \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong><\/em><\/p>\n

Visites – Expositions<\/span><\/span><\/h3>\n

Passages couverts<\/a> \u00a0\u00a0\u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Patrick Hemmler\"07-Galerie<\/span><\/strong><\/h4>\n

16\/09\/15<\/a>\u00a0 \u00a0 \u00a0\u00a0Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 29\/09\/15<\/a>\u00a0 \u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

Mus\u00e9e Rodin<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>Fran\u00e7oise Gagliano \u00a0\u00a0<\/span><\/strong><\/h4>\n

09\/10\/15<\/a>\"Mus\u00e9eRodin-WEB\"<\/a>\u00a0 \u00a0\u00a0 Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 10\/10\/15<\/a>\u00a0 \u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

Pigalle<\/a> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Patrick Hemmler<\/span><\/strong><\/h4>\n

08\/03\/16<\/a>\"pigalle\"<\/a>\u00a0 \u00a0 \u00a0\u00a0Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 22\/03\/16<\/a>\u00a0 \u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong>
\n<\/span><\/strong><\/p>\n

Douanier Rousseau<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/span>Fran\u00e7oise Gagliano \u00a0\u00a0<\/span><\/strong><\/h4>\n

\"Douanier09\/10\/1<\/a>5 \u00a0 \u00a0 \u00a0Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 10\/10\/15<\/a>\u00a0 \u00a0 \u00a0 Groupe \u00a0B \u00a0 \u00a0 \u00a0<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

P<\/a>aul Klee<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>Fran\u00e7oise Gagliano<\/span><\/strong><\/h4>\n

02\/05\/16<\/a>\"Klee-WEB-rogn\u00e9\"<\/a>\u00a0 \u00a0 \u00a0\u00a0Groupe \u00a0A \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 09\/05\/16<\/a>\u00a0\u00a0 \u00a0 \u00a0Groupe \u00a0B \u00a0 \u00a0 \u00a0<\/em><\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong><\/p>\n

Patrimoine local<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h3>\n


\nMus\u00e9e d’Aubigny<\/a>\"Jannin-WEB\"<\/a><\/em>\u00a0 \u00a0 \u00a0<\/span><\/h4>\n

02\/02\/16<\/a>\u00a0 \u00a0 \u00a0 Les graveurs de l’imaginaire\u00a0<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 <\/strong>\u00a0\u00a0<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/strong><\/p>\n

Voyage<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h3>\n

\"Ch\u00e2teau_de_Maintenon_en_Eure_et_Loir-CP\"Chartres<\/a><\/em>\u00a0 \u00a0 \u00a0<\/a><\/span><\/h4>\n

23\/09\/16\u00a0<\/a>\u00a0 \u00a0 \u00a0\u00a0La vieille ville et le ch\u00e2teau de \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><\/strong>Maintenon<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>\u00a0 \u00a0 \u00a0 \u00a0<\/strong>\u00a0 \u00a0 \u00a0<\/strong><\/p>\n

F\u00eate<\/span>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span><\/h3>\n


\n\"IMGP0459-C2-CP\"<\/a><\/em><\/span>Quand j’entonne le chant de la Tonne<\/a><\/em><\/h4>\n

\u00a002\/12\/15<\/a>\u00a0 \u00a0 \u00a0\u00a0Chants A capella et Rabelais<\/em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/strong>\u00a0\u00a0<\/strong><\/p>\n

_________________________________________________________________\u00a0 \u00a0 \u00a0<\/strong><\/em><\/span><\/p>\n

\u00a0 \u00a0Programme \u00a0saison en cours<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Informations \u00a0pratiques<\/a>\u00a0 \u00a0 \u00a0<\/strong><\/em>\u00a0 \u00a0 \u00a0\u00a0<\/strong><\/em><\/p>\n

\u00a0 ___________________________________________\u21d1<\/strong><\/a><\/h1>\n","protected":false},"excerpt":{"rendered":"

Pour acc\u00e9der \u00e0 l’historique complet de nos activit\u00e9s depuis\u00a01999 veuillez\u00a0cliquer sur le lien ci-contre: \u00a0 \u00a0 \u00a0HISTORIQUE Conf\u00e9rences \u00a0 Berlioz – Pierre-Alain Mallet 17\/09\/15 Les Arts en Iran –\u00a0Edith de la Fourni\u00e8re 24\/09\/15 \u00a0 \u00a0 L’architecture\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 08\/10\/15\u00a0 \u00a0\u00a0 Le jardin persan\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 15\/10\/15 \u00a0 \u00a0 L’art de la\u00a0repr\u00e9sentation histori\u00e9e 05\/11\/15\u00a0\u00a0\u00a0\u00a0\u00a0 Les arts du livre\u00a0\u00a0 \u00a0 \u00a0 … Continuer la lecture de Saison 2015-2016<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"parent":88,"menu_order":9,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-46","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/46","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=46"}],"version-history":[{"count":180,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/46\/revisions"}],"predecessor-version":[{"id":10991,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/46\/revisions\/10991"}],"up":[{"embeddable":true,"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/88"}],"wp:attachment":[{"href":"https:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=46"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}