{"id":8442,"date":"2018-07-31T17:02:58","date_gmt":"2018-07-31T16:02:58","guid":{"rendered":"http:\/\/artsetculture.fr\/?p=8442"},"modified":"2019-05-11T14:30:04","modified_gmt":"2019-05-11T13:30:04","slug":"architectes-japonais-en-france","status":"publish","type":"post","link":"http:\/\/artsetculture.fr\/index.php\/2018\/07\/31\/architectes-japonais-en-france\/","title":{"rendered":"Architectes japonais en France"},"content":{"rendered":"<h4><strong>Conf\u00e9rences 2018-2019<\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <span style=\"color: #0000ff;\"><strong>Catherine Coudert \u00a0 \u00a0<\/strong><\/span><\/h4>\n<p><strong>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<a href=\"http:\/\/artsetculture.fr\/index.php\/event\/architectes-japonais-en-france-1\/\">13 Septembre 2018<\/a><\/strong> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong> Tadao Ando et Toyo Ito<em><br \/>\n<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\">A l\u2019heure o\u00f9 la France c\u00e9l\u00e8bre en 2018 le Japon par une s\u00e9rie d\u2019expositions et de comm\u00e9morations, nous commencerons par dresser un petit rappel des relations entre ces deux pays en architecture. D\u00e8s le XIX\u00e8me si\u00e8cle, Les Expositions Universelles ont \u00e9t\u00e9 les principaux lieux de ce dialogue.<\/p>\n<p style=\"text-align: justify;\">A l\u2019\u00e9poque contemporaine, nous regarderons en particulier cinq architectes ou agences dont la carri\u00e8re est surtout japonaise mais <img loading=\"lazy\" decoding=\"async\" class=\" wp-image-8217 alignleft\" src=\"http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/06\/bourse-pinault-CAWEBR-300x169.jpg\" alt=\"bourse pinault-CAWEBR\" width=\"254\" height=\"143\" srcset=\"http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/06\/bourse-pinault-CAWEBR-300x169.jpg 300w, http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/06\/bourse-pinault-CAWEBR.jpg 448w\" sizes=\"auto, (max-width: 254px) 100vw, 254px\" \/>qui ont r\u00e9alis\u00e9 des \u0153uvres majeures en France ou travaillent \u00e0 des projets qui feront l\u2019actualit\u00e9 des prochains mois.\u00a0 <span style=\"color: #ffffff;\">___________\u00a0<\/span> Le premier et le plus connu de ces architectes est <strong>Tadao Ando<\/strong> (n\u00e9 en 1941), grand maitre du b\u00e9ton et de la lumi\u00e8re, admirateur de Le Corbusier, Pritzker Price en 1995. Il travaille actuellement \u00a0\u00e0 la transformation de la Bourse du Commerce en Fondation Pinault (Paris- ouverture 2019)<\/p>\n<p style=\"text-align: justify;\">Son contemporain <strong>Toyo Ito (<\/strong>n\u00e9 en 1941), est l\u2019auteur d\u2019une architecture plus conceptuelle et dont la recherche de fluidit\u00e9 et de transparence sont les fils conducteurs. Il obtient le Pritzker Price en 2013, et livre en 2006 l\u2019 Hopital Cognac-Jay \u00e0 Paris.\u00a0 <span style=\"color: #ffffff;\">_______________\u00a0 \u00a0________________________________________________________________<\/span><\/p>\n<p style=\"text-align: justify;\"><a href=\"http:\/\/artsetculture.fr\/index.php\/event\/architectes-japonais-en-france-2\/\"><strong>20 Septembre 2018<\/strong><\/a> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<strong>Agence Sanaa-Shiguru Ban-Sou Foujimot<\/strong>o<strong><em><br \/>\n<\/em><\/strong><\/p>\n<p style=\"text-align: justify;\"><strong><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8779 alignleft\" src=\"http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/07\/louvre-lens-horizontal-large-gallery-RCAWEB-300x234.jpg\" alt=\"louvre-lens-horizontal-large-gallery-RCAWEB\" width=\"187\" height=\"146\" srcset=\"http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/07\/louvre-lens-horizontal-large-gallery-RCAWEB-300x234.jpg 300w, http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/07\/louvre-lens-horizontal-large-gallery-RCAWEB.jpg 430w\" sizes=\"auto, (max-width: 187px) 100vw, 187px\" \/>l\u2019Agence Sanaa<\/strong> d\u00e9veloppe une architecture tr\u00e8s pure, asc\u00e9tique, accordant un grand soin au d\u00e9tail. Ses fondateurs, <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Kazuyo_Sejima\">Kazuyo Sejima<\/a> (n\u00e9e en 1956) et <a href=\"https:\/\/fr.wikipedia.org\/wiki\/Ryue_Nishizawa\">Ryue Nishizawa<\/a> (n\u00e9 en 1966) ont re\u00e7u le Pritzker Price en 2010. Leur projet fran\u00e7ais le plus c\u00e9l\u00e8bre est le Louvre Lens (2012), et ils travaillent aujourd\u2019hui au projet de r\u00e9habilitation de la Samaritaine (ouverture 2019)<\/p>\n<p style=\"text-align: justify;\"><strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8211 alignright\" src=\"http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/06\/Seine-Musicale-2-180405-300x200.jpg\" alt=\"Seine-Musicale-2-180405\" width=\"250\" height=\"166\" srcset=\"http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/06\/Seine-Musicale-2-180405-300x200.jpg 300w, http:\/\/artsetculture.fr\/wp-content\/uploads\/2018\/06\/Seine-Musicale-2-180405.jpg 690w\" sizes=\"auto, (max-width: 250px) 100vw, 250px\" \/>Shiguru Ban<\/strong> (n\u00e9 en 1957), laur\u00e9at du Pritzker en 2014, a re\u00e7u de nombreuses commandes en France, les plus notables sont le Centre Pompidou-Metz (2009) et la Seine Musicale \u00e0 Boulogne (2016)<\/p>\n<p style=\"text-align: justify;\"><strong>Sou Fujimoto <\/strong>(n\u00e9 en 1971), qui s\u2019est fait conna\u00eetre par des formes in\u00e9dites en architecture, travaille autour du concept \u00ab\u00a0d\u2019avenir primitif\u00a0\u00bb. Parmi ses projets fran\u00e7ais retenons\u00a0: La tour l\u2019Arbre Blanc \u00e0 Montpellier (livraison en 2019) et l\u2019immeuble-pont de la Porte Maillot<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Conf\u00e9rences 2018-2019 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Catherine Coudert \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 &hellip; <a href=\"http:\/\/artsetculture.fr\/index.php\/2018\/07\/31\/architectes-japonais-en-france\/\" class=\"more-link\">Continuer la lecture de <span class=\"screen-reader-text\">Architectes japonais en France<\/span>  <span class=\"meta-nav\">&rarr;<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-8442","post","type-post","status-publish","format-standard","hentry","category-conferences"],"_links":{"self":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/8442","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=8442"}],"version-history":[{"count":6,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/8442\/revisions"}],"predecessor-version":[{"id":8780,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/8442\/revisions\/8780"}],"wp:attachment":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=8442"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/categories?post=8442"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/tags?post=8442"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}