{"id":2761,"date":"2016-05-07T10:59:26","date_gmt":"2016-05-07T09:59:26","guid":{"rendered":"http:\/\/artsetculture.fr\/?p=2761"},"modified":"2019-05-11T14:55:26","modified_gmt":"2019-05-11T13:55:26","slug":"lart-du-ballet","status":"publish","type":"post","link":"http:\/\/artsetculture.fr\/index.php\/2016\/05\/07\/lart-du-ballet\/","title":{"rendered":"L’art du Ballet – 2016-2017"},"content":{"rendered":"

Conf\u00e9rences 2016-2017<\/strong>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Martine Anstett<\/strong><\/span><\/h4>\n

Conf\u00e9rences illustr\u00e9es par des documents vid\u00e9o<\/span><\/em><\/strong><\/p>\n

20 Avril 2017<\/strong><\/a>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La naissance du Ballet classique<\/em><\/strong><\/h6>\n

Le propos de notre rencontre sera d\u2019\u00e9tudier l\u2019\u00e9volution du Ballet, du Ballet de Cour, \u00e9litiste, \u00e9manation de la Renaissance, \u00e0 l\u2019art rigoureux codifi\u00e9 sous Louis XIV. Nous verrons ensuite comment, \"Danseau 18\u00e8me<\/sup> si\u00e8cle, le Ballet, de \u00ab gracieux ornement \u00bb qu\u2019il \u00e9tait jusqu\u2019alors, va se transformer en un ballet-pantomime \u00ab en action \u00bb, moment crucial de son histoire o\u00f9 il devient aussi plus populaire. Et, surtout, nous nous attarderons sur le 19\u00e8me<\/sup> si\u00e8cle, tant il est vrai que l\u2019identit\u00e9 du Ballet classique s\u2019est forg\u00e9e \u00e0 cette \u00e9poque, d\u2019abord par la r\u00e9volution amen\u00e9e par le courant romantique, o\u00f9, pour fuir le monde industriel et ses bouleversements, le Ballet devient un monde enchant\u00e9 dans lequel tutus et pointes (\u00e9volution technique primordiale !) figurent l\u2019irr\u00e9el, jusqu\u2019\u00e0 l\u2019acad\u00e9misme russe de la 2\u00e8me<\/sup> moiti\u00e9 du 19\u00e8me<\/sup> si\u00e8cle, apoth\u00e9ose technique du Ballet classique, sous la conduite de Marius Petipa.<\/p>\n

27 Avril 2017<\/a> \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <\/strong>L\u2019\u00e9volution du Ballet classique au XX\u00e8me si\u00e8cle<\/em><\/strong><\/h6>\n

L\u2019\u00e9volution de la danse classique tout au long du XX\u00e8me si\u00e8cle montre \u00e0 quel point celle-ci est rest\u00e9e vivante, ne cessant de s\u2019enrichir d\u2019ajouts successifs, s\u2019\u00e9chappant du cadre strictement europ\u00e9en pour gagner d\u2019autres continents et partant \u00e0 la conqu\u00eate\"Ballets_Russes\" de publics plus diversifi\u00e9s hors des th\u00e9\u00e2tres traditionnels. Nous allons nous attacher plus particuli\u00e8rement \u00e0 trois aspects : d\u2019abord, la remise en cause du Ballet acad\u00e9mique de la fin du 19\u00e8me si\u00e8cle par les Ballets Russes de Diaghilev, puis la naissance de la danse n\u00e9o-classique avec Georges Balanchine aux Etats-Unis et Roland Petit en France et enfin, les chor\u00e9graphes \u201cclassiques-contemporains\u201d, tels Maurice B\u00e9jart ou John Neumeier, qui allient le vocabulaire du Ballet classique \u00e0 une esth\u00e9tique renouvel\u00e9e pour traduire au plus pr\u00e8s les sentiments\u00a0et les interrogations g\u00e9n\u00e9r\u00e9s par le monde contemporain.<\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Programme 2016-2017<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Agenda<\/a>\u00a0 \u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0Informations pratiques<\/strong><\/em><\/a><\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u21d1<\/a><\/strong><\/h1>\n","protected":false},"excerpt":{"rendered":"

Conf\u00e9rences 2016-2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Martine Anstett Conf\u00e9rences illustr\u00e9es par des documents vid\u00e9o 20 Avril 2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La naissance du Ballet classique Le propos de notre rencontre sera d\u2019\u00e9tudier l\u2019\u00e9volution du Ballet, du Ballet de Cour, \u00e9litiste, \u00e9manation de la Renaissance, \u00e0 l\u2019art rigoureux codifi\u00e9 sous Louis XIV. Nous verrons ensuite comment, au 18\u00e8me si\u00e8cle, le Ballet, de \u00ab … Continuer la lecture de L’art du Ballet – 2016-2017<\/span> →<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[10],"tags":[],"class_list":["post-2761","post","type-post","status-publish","format-standard","hentry","category-conferences"],"_links":{"self":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/2761","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=2761"}],"version-history":[{"count":20,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/2761\/revisions"}],"predecessor-version":[{"id":6750,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/posts\/2761\/revisions\/6750"}],"wp:attachment":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=2761"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/categories?post=2761"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/tags?post=2761"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}