{"id":6445,"date":"2017-05-10T11:41:49","date_gmt":"2017-05-10T10:41:49","guid":{"rendered":"http:\/\/artsetculture.fr\/?page_id=6445"},"modified":"2017-05-10T12:06:55","modified_gmt":"2017-05-10T11:06:55","slug":"conferences-2016-2017","status":"publish","type":"page","link":"http:\/\/artsetculture.fr\/index.php\/historique\/saison2016-2017\/conferences-2016-2017\/","title":{"rendered":"Conf\u00e9rences 2016-2017"},"content":{"rendered":"

septembre 2016<\/h2>
15<\/span>Sep<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Architectes contemporains_1<\/a><\/h2>

Rudy Ricciotti<\/p>

Catherine Coudert<\/p>

<\/div><\/div><\/div>\r\n
22<\/span>Sep<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Architectes contemporains_2<\/a><\/h2>

Renzo Piano<\/p>

Catherine Coudert<\/p>

<\/div><\/div><\/div>\r\n
29<\/span>Sep<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire de la caricature_1<\/a><\/h2>

De l'antiquit\u00e9 au Moyen-\u00e2ge . Qu'est-ce qu'une caricature ?<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n\n

octobre 2016<\/h2>
06<\/span>Oct<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire_de_la caricature_2<\/a><\/h2>

La caricature imprim\u00e9e au service d'une propagande religieuse et sociale<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n
13<\/span>Oct<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire de la caricature_3<\/a><\/h2>

Les journaux satiriques au XIXe si\u00e8cle<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n\n

novembre 2016<\/h2>
03<\/span>Nov<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire de la caricature_4<\/a><\/h2>

Les artistes face \u00e0 l'Histoire<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n
10<\/span>Nov<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire de la caricature_5<\/a><\/h2>

Les journaux au XXe si\u00e8cle - Du Canard enchain\u00e9 \u00e0 Charlie Hebdo<\/p>

Pierre-Alain Mallet<\/p>

<\/div><\/div><\/div>\r\n
17<\/span>Nov<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

La Russie contemporaine_1<\/a><\/h2>

Le passage de l'URSS \u00e0 la F\u00e9d\u00e9ration de Russie<\/p>

Edith de la Fourni\u00e8re<\/p>

<\/div><\/div><\/div>\r\n
24<\/span>Nov<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

La Russie contemporaine_2<\/a><\/h2>

Vladimir Poutine - De l'ombre \u00e0 la lumi\u00e8re<\/p>

Edith de la Fourni\u00e8re<\/p>

<\/div><\/div><\/div>\r\n\n

d\u00e9cembre 2016<\/h2>
01<\/span>D\u00e9c<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

La Russie contemporaine_3<\/a><\/h2>

L'\u00e9conomie russe - Un colosse aux pieds d'argile ?<\/p>

Edith de la Fourni\u00e8re<\/p>

<\/div><\/div><\/div>\r\n
08<\/span>D\u00e9c<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

La Russie contemporaine_4<\/a><\/h2>

La renaissance de l'Eglise orthodoxe<\/p>

Edith de la Fourni\u00e8re<\/p>

<\/div><\/div><\/div>\r\n
15<\/span>D\u00e9c<\/em><\/b><\/span>2016<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

La Russie contemporaine_5<\/a><\/h2>

La vie artistique et l'intelligentsia russe<\/p>

Edith de la Fourni\u00e8re<\/p>

<\/div><\/div><\/div>\r\n\n

janvier 2017<\/h2>
05<\/span>Jan<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Les Primitifs flamands_1<\/a><\/h2>

Les Etats de Bourgogne<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
12<\/span>Jan<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Les Primitifs flamands_2<\/a><\/h2>

Van Eyck, une r\u00e9volution du regard<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
19<\/span>Jan<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Les Primitifs flamands_3<\/a><\/h2>

Ars Nova et Devotio Moderna<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
26<\/span>Jan<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Les Primitifs flamands_4<\/a><\/h2>

Le peintre et le commanditaire<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n\n

f\u00e9vrier 2017<\/h2>
02<\/span>F\u00e9v<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Les Primitifs flamands_5<\/a><\/h2>

Bosch et Bruegel<\/p>

Claire Gr\u00e9bille<\/p>

<\/div><\/div><\/div>\r\n
23<\/span>F\u00e9v<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire_du Maroc_1 VII_XXe si\u00e8cle<\/a><\/h2>

La dynastie des Idrissides - Fondation de F\u00e8s<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n\n

mars 2017<\/h2>
02<\/span>Mar<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire_du Maroc_2 VII_XXe_si\u00e8cle<\/a><\/h2>

Les Almoravides et les Almohades \u2013 Fondation de Marrakech<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n
09<\/span>Mar<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire_du Maroc_3 VII_XXe_si\u00e8cle<\/a><\/h2>

L\u2019Andalousie musulmane<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n
16<\/span>Mar<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire_du Maroc_4 VII_XXe_si\u00e8cle<\/a><\/h2>

Les M\u00e9rinides, les Ouattissides, les Sa\u00e2diens \u2013 Fondation de Rabat-Sal\u00e9<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n
23<\/span>Mar<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire_du Maroc_5 VII_XXe_si\u00e8cle<\/a><\/h2>

Les Alaouites, le protectorat fran\u00e7ais, l\u2019ind\u00e9pendance \u2013 Fondation de Mekn\u00e8s<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n
30<\/span>Mar<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

Histoire_du Maroc_6 VII_XXe_si\u00e9cle<\/a><\/h2>

Tanger de 1923 \u00e0 1956 \u2013 Ecrivains et peintres<\/p>

Christine Darmagnac<\/p>

<\/div><\/div><\/div>\r\n\n

avril 2017<\/h2>
20<\/span>Avr<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

L'art du Ballet_1<\/a><\/h2>

La naissance du Ballet classique<\/p>

Martine Anstett<\/p>

<\/div><\/div><\/div>\r\n
27<\/span>Avr<\/em><\/b><\/span>2017<\/span><\/span><\/div><\/div>
\r\n<\/a>
\r\n<\/div>\r\n

L'art du Ballet_2<\/a><\/h2>

L'\u00e9volution du ballet classique au XXe si\u00e8cle<\/p>

Martine Anstett<\/p>

<\/div><\/div><\/div>\r\n\n

<\/h2>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Visites 2016-2017\u00a0<\/a>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Conf\u00e9rences ann\u00e9e en cours<\/a>\u00a0 \u00a0 \u00a0<\/em><\/strong><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Infos pratiques<\/a>\u00a0<\/em><\/strong><\/p>\n

_______<\/span>___________________________________________\u21d1<\/a><\/strong><\/h4>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 Visites 2016-2017\u00a0\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Conf\u00e9rences ann\u00e9e en cours\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0Infos pratiques\u00a0 __________________________________________________\u21d1  <\/p>\n","protected":false},"author":1,"featured_media":0,"parent":6333,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-6445","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/6445","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/comments?post=6445"}],"version-history":[{"count":5,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/6445\/revisions"}],"predecessor-version":[{"id":6455,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/6445\/revisions\/6455"}],"up":[{"embeddable":true,"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/pages\/6333"}],"wp:attachment":[{"href":"http:\/\/artsetculture.fr\/index.php\/wp-json\/wp\/v2\/media?parent=6445"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}